BBOY CrAzYAGE 20
DANCE YEAR 1
DANCE:BREAKING,POPING
哈咯，大家好哦，我是BBOY CRAZY,请多指教，我是X-STRET CREW的队长，
我的msn是nono_ngu@hotmail.com,有兴趣跟我们X_STREET CREW一起跳舞
我的msn是nono_ngu@hotmail.com,有兴趣跟我们X_STREET CREW一起跳舞
的，请联络我哦，0168884543（只限美里的队伍，别的地方的话请联络我，我会商量的）
2009年7月3日 星期五
2009年7月1日 星期三
HIP-HOP,BREAKDANCE与一些舞蹈的基本知识
hip－hop所謂的hip－hop dance.正是現在最廣泛流行的一種街舞類型. 如果我們以舞蹈的觀點來看,它可以分成new school以及old school兩大類. 如何去區分這兩大類型呢?我們可以以年代及動作或是音樂類型來作區分. 其實hip－hop就是各種街舞的總稱,事實上,我們所謂的breaking dance或是old school正也是屬於hip－hop的一種.這種old school的舞蹈包含著locking(鎖舞).poping(機械舞).breaking(霹靂舞).wave(電流). new school hip－hop是"原地性的hip－hop".他獨有風格在於他注重身體的協調性(我們所謂的律動).他重視身體上半身的律動及增加了許多手部的動作.不再像old school hip－hop注視大範圍的移動以及腳步的動作. 麥克傑克森的remabe the time mtv就是這種所謂的原地性舞蹈.馬麗亞凱利的dreamlover歌曲mtv中,一群黑人跳著奇怪風格的舞蹈配合著是dreamlover這種r&b式曲風的hip－hop音樂.他是全世界開始流行new school的起源. 總而言之,new school的hip－hop它包含者各種類型的街舞,包括locking(鎖舞).poping(機器舞).wave(電流)以及mc hammer及巴比布朗時期的律動.只是在new school hip－hop中看不到breaking dance(霹靂舞)的影子. house dancehouse是new school舞蹈的一部份。house約是在1988年開始的。運用house的音樂來跳舞。hip－hop的音樂大部分是美國黑人在聽，但house的音樂卻是被各個不同種族的人及各式各樣的人所喜愛著。house就像是70年代的disco音樂。因此有很多文化的色彩加入了house club之中。而house的舞蹈就在這樣的環境中逐漸建立起來。hispanic有著sala或是milenge的背景，非洲人跳非洲舞蹈，巴西人跳capoeira(這是非裔巴西人的藝術)，b－boy、hip－hop舞者、jazz舞者、tap舞者，所有的這些人創造了紐約的house舞蹈。capoeira對house的影響很大。ejoy說:在跳house時，是音樂控制你的身體，但在跳hip－hop時你要控制你的身體去迎合節奏。這就表示，在跳house舞蹈比跳hip－hop有更多的free style，而且house更強調腳步。在紐約，hip－hop club中常常有很多問題，例如打架就是其中之一。如此一來人就無法只是單純的享受舞蹈。這使得house club在紐約非常的盛行。在紐約在受歡迎的house club是在星期三的sound factory bar breanking b－boying是像breaking一樣眾所皆知的hip hop舞蹈 它是由 top or up rock、footwork、spinning moves(power moves)、and freeze幾個動作所組成。b－boying來自紐約的布隆克斯。而b－boy或b－boying的說法是由一個叫kool herc每天在布隆克斯"磨"唱盤的dj延展出來的。b－boys就是叫那些專在音樂中停格的部分中跳舞的人。 (或許我們可以說,那些專攻old school系列尤其是breakin的舞者,就叫b－boy.)接著，再加上dj一直重覆著這種音樂節奏，於是使得breakbeats就此誕生。雖然人們傾向於探知power moves這方面上，而真正的b－boys應精通所有b－boying的原理。 現在有二種型式的b－boys。 一種是注重在強調power moves和他們的合併上。而另一種則是注重在強調footwork和freeze上面。rock steady crew是強調footwork來顯示舞者的個人風格。縱使power moves有一種強大的衝擊並且相當充滿活力，但要將個人風格融入這些動作是很難的。而在spinning的時候，power moves實在無法和節拍一起融入。這反而有點近似體操的動作，而不像在跳舞。因為這些因素，rock steady crew便提出強調footwork型式的是傾向於九○年的breaking。breaking是hip hop dancing中最廣受歡迎的型式，而正當new school dancing如hip hop和house有限的傳至usa和japan一些大城市的同時，它已經蔓延至全世界。 由來： 他們的舞蹈被稱為good foot.是從james brown的唱片(紀錄)而取同名。good foot是第一個自由式舞蹈，其包含著drops和spins的動作，還有著和breaking初期相似的舞步。 敘述good foot最好的方法便是根據michael holman，他想像在閱兵大典裏女鼓隊隊長高高踢起的正步，這個動作讓他覺得像在鼓隊節奏中的靜止動作。當dj們發明新方法去延長唱片中停格的拍子時，舞者們便有更多的時間去發明和嘗試新舞步。很快地，dropping down to the ground and poppin up again on beat變成這種舞標準的舞步，並且暱稱第一代的b－boys為boie－oie－oings.當boie－oie－oings開始手臂撐著身體以使腳和腿能做近似體操舞步的同時，footwork開始流行。同時，在布魯克林一個新舞步開始產生，叫做brooklyn rock uprocking.他們一樣被知曉。 第一代有名的b－boys是"nigger twins","clark kent","zulu kings"三人，在大約1977年代時，breaking在黑人小孩間慢慢失去流行，且幾乎消聲逆跡。無論如何，breaking又再度被新一代的b－boy帶起。由一個叫作puerto rican的人重新注入新生命和帶入另一種境界。他們開始在breaking裏頭加入許多更高難度的特技體操，且發明出許多新的動作。如jimmy lee和joe joe指導的crazy leg、和原rock steady crew的成員研發出的backspins、windmills。我想說明的是，也有其他來自紐約的breakers，他們應也有b－boying的支持者。另外，李小龍和其他功夫明星、尚武者，對b－boying的文化也有深遠的影響。在七○年中末期，功夫影片流行於全世界之際，對紐約的b－boying尤其有影響。許多的武打動作已經併入b－boying裏面。舉例而言，功夫中用來從地板翻起的動作，若一直重覆就是現在的windmills。 在八○年代時，b－boying變得更受歡迎。 這要推究於1983年flashdance{閃舞）這部電影。( 其實在{閃舞}之前也有兩部片子，但{閃舞}算是第一個以b－boying為特色的電影.雖然，它不是個專以b－boying為主的電影。)但影片中有一小段在街上以b－boying和popping為特色的部分，就足夠讓全世界的人印象深刻而開始玩b－boying了。繼{閃舞}之後許多breaking的電影也相繼拍成。如"breakin"、"breaking2" 和" beat street"。"beat street" 其中一段rock steady crew和new york city breakers尬舞的那一幕，也是使這部片讓人印象深刻的原因。而b－boying變得如此流行要拜廣大的媒體所賜，而就是因為有太多媒體的宣傳，反而使得電視的媒體開始停止播放有關b－boying方面的東西，這樣反而讓有些人誤認為b－boying也只是一種一時間的狂熱而已。隨即，有許多人開始認為b－boying已消失了。所以，一些b－boys開始停止讓大眾媒體影響b－boying，也避免讓大眾媒體扭曲b－boying。1985年或1986年後，b－boying在冬天時曾曇花一現。 然而，約在1990年時，b－boying又再度復活起來。 大家都不太明白到底是因為什麼原因，但可以 確定的是，是那些從沒有放棄過b－boying的支 持者帶起來的。就我所知，加州是最早再度使 b－boying流行的地方。 而現今，b－boy summit和 rock steady anniversary這些b－boys所 舉辦的比賽，每年都會舉行，且吸引著全世界 許許多多的b－boys聚集在一起，以保留其文化， 甚至試著去 達到另一個境界。 locking dance ｌｏｃｋｉｎｇ也稱為鎖舞，以轉手及鎖住的動作為主，產生令人眼花撩亂的美感及力道感，屬於old school poping dance ｐｏｐｉｎｇ讓身體像機械人一般的運動，利用肌肉的繃緊與放鬆，使身體的震動與停格，而一般的poping包括了肩膀、胸部、手臂、腿部........有時waving電流舞）也被包含在poping的範圍裡,機械舞通常作為個人solo,較少排舞,也是屬old school copoeira dance capoeira起源於南美洲巴西一帶的國家,主要是由於當時南美洲採奴隸政策，貴族與蓄奴者以武力暴行壓迫這些非裔巴西人奴隸(就是從非洲被賣到巴西一帶當奴隸的非洲黑人)，當奴隸受不了貴族及蓄奴者的壓迫時大家開始起來反抗爭取自由，這些黑人奴隸的雙手都被鎖鏈綁住，所以很自然的開始發展出各種以腳的攻擊方式反抗這些壓迫他們的貴族及蓄奴者,早期算是巴西的一種格鬥技。後來演變成巴西的一種名俗舞蹈藝術後，慢慢的加入了敲擊樂器的伴奏。 這種非裔巴西人傳統的藝術，同時也是一種舞蹈。其中一種文化的武器用來打破巴西的蓄奴枷鎖。音樂在capoeira進行的過程中用來教導這種旋律的中心並且用來掩蓋它的力量。在蓄奴者的面前，它看起來就像是遊戲一般，雜耍般的舞蹈，同時就像是在開玩笑一般。最後，蓄奴者知道capoeira的力量，於是就下令禁止跳capoeira。在蓄奴的年代裡，如果你被抓到跳capoeira，死亡就是處罰。有將近四百年的時間，capoeira被秘密的教導著、練習著。直到1930年這種非洲傳統藝術才能合法的教授及練習。 capoeira的動作 流暢的舞蹈動作做的相當貼近地面，動作隨著上升的旋律來做，或是擊敗對手的攻擊。最基本的舞蹈動作，ginga，是由capoeira angola的人所創造的，那是由一邊升到另一邊變換的動作。其他的動作包括以雙手倒立,或以雙腳作出任何類似攻擊的動作.這個藝術的中心就是由berimbau來引導音樂，berimbau是一種由鋼弦做成像碗一般的樂器，有著像葫蘆般宏亮回音的樂器。當capoeira angola在進行時，是由berimbau的信號來開始及結束整個遊戲，並且掌控著整個的風格及進行的速度。berimbau通常還和pandeiro (tambourine鈴鼓)the agogo (african bell非洲鈴)和 the atabaque (a conga－like drum鼓)一起進行。 capoeira 動作大解析 了解capoeira angola動作名稱 現在的capoeira..... 我們現在所見的capoeira，多半以和house結合成一種新式的舞蹈，隨者部落風格的舞曲在世界流行起來，有更多的house舞者利用capoeira和house的舞步結合配上部落音樂發展出新的舞蹈風格及表演方式。或者有時變成了house舞步中的地板動作，一些無知的舞者愚蠢的稱它breaking，甚至不懂它的起源以為這是種非洲的舞蹈，取了一個奇怪的名字叫"砍波舞"。在這些非裔巴西人的心目中，capoeira不只是他們民族的舞蹈藝術之一，也是他們的遊戲。 uprock dance uprock並沒有像breaking和electric boogie那樣知名和受歡迎,但是他現在已經被歸類為breakin的一部分了uprock是一種舞蹈的戰鬥,舞者之間相當靠近,實際上並沒接觸在一起,他的速度非常的快,看起來就像是功夫的戰鬥一樣,但是卻又比功夫有更多的動作和韻律感,每個動作都有他的意思,例如像:我要割了你的喉嚨,或是像:我鄙視你。這聽起來相當的暴力,但是這又比打架更不暴力,雖然這很明顯的是在像別人挑釁。 還有的動作是你抓住你的對手身體的一部份,做出聞的動作,這樣是表示你可以做的比你的對手更好,然後對手做出什麼動作,你也做出一樣的動作反擊回去,這是一個標準的過程,當然你也可以做出你自己想要的動作。uprock的歷史可以回溯至70年代的最早期,在那個時候uprock的形式已經逐漸成形了,如果你沒有跟上音樂的旋律,你就輸了。在尬舞的過程當中,群眾會決定誰是贏家,當然你可能會不相信你的朋友是公平的,因為他們總是會說你贏(如果你的朋友喜歡你的話),而你的對手的朋友又總是說他贏。現在有越來越多的uprock的舞者跳solo ,沒有和對手尬舞。uprock的舞者現在也跳breaking 和 boogie,而breaking和 boogie的舞者也開始把uprock的動作加進他們的舞蹈動作中.爵士舞 JAZZ爵士舞的形成是經過一個漫長的演進。它是融合芭蕾舞、現代舞、African Dance、Show Dance、Theatre Dance、Social Dance和East Indian Folk Dance而形成多彩多姿的表演媒體，但同時亦獨具特色，別樹一格。從爵士舞的演進，我們可看到潮流的趨勢。在早期的美國歷史，我們可以看到爵士舞蹈及音樂帶有濃厚的黑奴文化背景。直到二十年代隨著「爵士時代」的來臨，人們開始被多元化的爵士舞所吸引，無不爭相效法黑人舞蹈和音樂。學習爵士舞蹈需要有紮實的基本技巧才能融會貫通，並要以心靈及身體去將舞蹈化為藝術表現出來。一個習有芭蕾舞和現代舞基礎的舞者，學習爵士舞更能得心應手。
BREAKING sub style and POWER
BREAKING points STYLE and POWER, I think we all asked the question: Which is more important? On this issue, a lively debate clouds come. Can only say that the last two are equally important.
First talk about STYLE, STYLE rough divided into three parts: TOPROCK, FOOTWORK, FREEZE. TOPROCK floor in action before you jump a step similar things, many are overlooked BBOY important TOPROCK, in fact, can help you seize the TOPROCK the beat of music, so you really do a good job in pre-floor action. TOPROCK now the most popular is to take the circle, jump the middle of the track of the presence of a circular presume, so that people look you have the feeling of flying over field. As the name implies O foot FOOTWORK action, as we all know SIX STEPS, SIX STEPS is a most fluent, but SIX STEPS light is not enough, imagine every time you light the SIX STEPS to do so is not very bored? We must take more time to mix their own FOOTWORK, after all, is FOOTWORK spent most BREAKING, you have to constantly innovate their FOOTWORK, not even your best FOOTWORK, we will also see the number are bored. The most important thing to do FOOTWORK smooth, you can add around the legs, or suddenly change direction and so on greater knowledge. FREEZE give viewers the most shocking moves, if you have not seen you can set the FREEZE, it can POWER MOVE than impressed by the people. FREEZE to freeze the literal meaning is, I personally think that that is the essence of FREEZE. Freeze is a very fast people feel the need to move to long term resident in the twinkling of an eye, it is the best FREEZE. The light that you do not stop there, if you do beating about the bush, up a half-managed to support it, there is also shook the verge of collapse, then what FREEZE it? FREEZE it more difficult for FREEZE COMBO, is A FREEZE Another change FREEZE, should be neat and tidy, but also to seize the beat, it is the highest level!
STYLE pretty easy to say that POWERMOVE, POWERMOVE means big BREAKING floor action, such as WINDMILL, HALO, FLARE, 1990, HEADSPIN, AIRTRACK and so on, each of which action can be broken down, can be divided into WINDMILL as NO HAND WINDMILL, BABY WINDMILL , SUPERMAN WINDMILL such. These moves give the shock is unique, especially for the first time to see BREAKING people suspected of human beings, how can they make such a move? It is this charm, so numerous are BBOY mutilated their feet off the neck the risk to狂练. Can not but admire BBOY are these brave, but also can not help but admire those dazzling moves. BBOY Some believe that POWERMOVE well, because these actions do is do not dance. This, of course, also makes sense, after all, relatively monotonous POWERMOVE, you can not have been there to repeat. POWERMOVE is, after all, but the limits of performance, especially when BATTLE, if your opponent in that after a round of crazy to actually take you to more than FOOTWORK, I see it you might as well surrender. FREEZE before I said more than shocking POWERMOVE means only that POWERMOVE Tips, even further exaggerated, after reading many times will become stale, and FREEZE eccentric people can bring a freshness, action is not only much more difficult FREEZE had POWERMOVE.
First talk about STYLE, STYLE rough divided into three parts: TOPROCK, FOOTWORK, FREEZE. TOPROCK floor in action before you jump a step similar things, many are overlooked BBOY important TOPROCK, in fact, can help you seize the TOPROCK the beat of music, so you really do a good job in pre-floor action. TOPROCK now the most popular is to take the circle, jump the middle of the track of the presence of a circular presume, so that people look you have the feeling of flying over field. As the name implies O foot FOOTWORK action, as we all know SIX STEPS, SIX STEPS is a most fluent, but SIX STEPS light is not enough, imagine every time you light the SIX STEPS to do so is not very bored? We must take more time to mix their own FOOTWORK, after all, is FOOTWORK spent most BREAKING, you have to constantly innovate their FOOTWORK, not even your best FOOTWORK, we will also see the number are bored. The most important thing to do FOOTWORK smooth, you can add around the legs, or suddenly change direction and so on greater knowledge. FREEZE give viewers the most shocking moves, if you have not seen you can set the FREEZE, it can POWER MOVE than impressed by the people. FREEZE to freeze the literal meaning is, I personally think that that is the essence of FREEZE. Freeze is a very fast people feel the need to move to long term resident in the twinkling of an eye, it is the best FREEZE. The light that you do not stop there, if you do beating about the bush, up a half-managed to support it, there is also shook the verge of collapse, then what FREEZE it? FREEZE it more difficult for FREEZE COMBO, is A FREEZE Another change FREEZE, should be neat and tidy, but also to seize the beat, it is the highest level!
STYLE pretty easy to say that POWERMOVE, POWERMOVE means big BREAKING floor action, such as WINDMILL, HALO, FLARE, 1990, HEADSPIN, AIRTRACK and so on, each of which action can be broken down, can be divided into WINDMILL as NO HAND WINDMILL, BABY WINDMILL , SUPERMAN WINDMILL such. These moves give the shock is unique, especially for the first time to see BREAKING people suspected of human beings, how can they make such a move? It is this charm, so numerous are BBOY mutilated their feet off the neck the risk to狂练. Can not but admire BBOY are these brave, but also can not help but admire those dazzling moves. BBOY Some believe that POWERMOVE well, because these actions do is do not dance. This, of course, also makes sense, after all, relatively monotonous POWERMOVE, you can not have been there to repeat. POWERMOVE is, after all, but the limits of performance, especially when BATTLE, if your opponent in that after a round of crazy to actually take you to more than FOOTWORK, I see it you might as well surrender. FREEZE before I said more than shocking POWERMOVE means only that POWERMOVE Tips, even further exaggerated, after reading many times will become stale, and FREEZE eccentric people can bring a freshness, action is not only much more difficult FREEZE had POWERMOVE.
BREAKING分style和POWER
BREAKING分STYLE和POWER，我相信大家都問過一個問題：哪個更重要？對這個問題，眾說紛雲。最後只能說兩個同樣重要。 先說說STYLE，STYLE粗分為三部份：TOPROCK，FOOTWORK，FREEZE。TOPROCK就是在你做地板動作之前跳的類似一種步法的東西，很多BBOY們都忽略了TOPROCK的重要，其實TOPROCK可以幫助你抓住音樂的節拍，讓你做好真正地板動作前的準備。現在最流行的TOPROCK是走圓圈，在場中間跳的軌跡逞一個圓形，這樣讓人們看起來你有滿場飛舞的感覺。FOOTWORK顧名思義O腳部動作，大家都知道SIX STEPS，SIX STEPS可說是最流暢的一種，但光會SIX STEPS是遠遠不夠的，試想你每次光做SIX STEPS的話不是很無聊嗎？大家一定要多花些時間去組合自己的FOOTWORK，畢竟FOOTWORK是BREAKING裡用得最多的，你還得不斷的去創新自己的FOOTWORK，不然就算你的FOOTWORK再好，大家也會因看得次數多而感到無聊的。FOOTWORK最要緊要做得流暢，你可加進繞腿，或忽然改變方向等等，學問大了。FREEZE是最能給觀眾震撼的招數，如果你能創出大家沒見過的FREEZE，那比POWER MOVE還能給人們留下深刻印象。FREEZE字面上的意思是凍結，我個人覺得那就是FREEZE的真諦。凍結是給人一種很迅速的感覺，必須要把動作在剎那間定住，那才是最好的FREEZE。而不是說你光能做到停在那裡，如果你做得拖泥帶水，撐了個半天才好不容易撐住，還在那裡震得搖搖欲墜，那還叫什麼FREEZE呢？FREEZE更難在FREEZE COMBO，就是一個FREEZE變另一個FREEZE，要做到乾淨利落，還能抓住節拍，那才是至高境界！ 說完了STYLE再說說POWERMOVE，POWERMOVE指BREAKING中的大地板動作，像WINDMILL，HALO，FLARE，1990，HEADSPIN，AIRTRACK等等，其中每個動作又可細分，像WINDMILL可分為NO HAND WINDMILL，BABY WINDMILL，SUPERMAN WINDMILL等。這些動作給人的震撼是無與倫比的，特別是對第一次看BREAKING的人，他們會懷疑人類怎能做出這種動作？正是這種魅力，讓無數BBOY們冒著斷手斷腳斷脖子的危險去狂練。不能不佩服這些勇敢的BBOY們，更不能不佩服這些令人眼花繚亂的動作。有些BBOY們認為POWERMOVE不好，因為這些動作做到了就是做到了，並不是跳舞。這當然也有道理，畢竟POWERMOVE比較單調，你不能一直重複在那裡轉。但POWERMOVE終歸是極限的表現，特別是BATTLE時，如果當你的對手在那狂轉了一輪之後你竟然拿FOOTWORK去比，那我看你還不如投降吧。我之前說FREEZE能比POWERMOVE更令人震撼是指POWERMOVE只有那幾招，就算再誇張，在看了多次之後也會變得不新鮮了，而古怪的FREEZE則可帶給人們一種新鮮感，並不是只動作的難度上FREEZE厲害過POWERMOVE。
Members must know
Crew to be a hip-hop with elements of
Key to the success of a group there are a few!
The first point: "unity" must we all know. However, the unity of a group. It is not so easy. Interpersonal relationships, the coordination of college players. . If the suspicion, then a heavy heart. I want to say yes. The development of this group do not stand up!
The second point: "self-confidence," If all members of a group of them have to have confidence, it is self-confidence, increase their own training, I believe that progress will soon own. If a person is not confident that he will accomplish anything, let alone a group.
The third point: "adhere to the" if they turn out, how kind of environment, we must persevere in order to achieve good results, do not fall by the wayside. Can not persist, then sooner or later the dissolution of a group. (Total in the sun after the storm)
The third point: "effort" the success of a group with their own efforts can not be separated from the. A group would like to succeed, not only to a member or the efforts of several players, but team effort, a group two or three players alone * efforts. Does not work. Is not brilliant.
The fourth point: "data" must be a member of a group to find good information on good music available to the Mission, as well as the players learn to improve their understanding of music. At this point, I believe we all agree to it, accept the new knowledge, good words, we will progress, but do not COPY. .
The fifth point: "Competition" If the level of a group made progress, we will certainly be going to games. Competition to get experience and also be able to know the shortcomings of their own with the other groups there are gaps where, because of where it is. Its hard to go back to the next game, I believe it will get better results.
The sixth point: "performance" of a group would like to survive, must be performed, with the funds, we can go to games, to buy equipment, buy materials, buy dance, is not it? Want to tell you yes. The very beginning. Do not want to go to performances that are making money, if a performance is no money. We are also going to jump. Let the audience see their own strength, satisfaction with the boss to see the audience, and later you will find. Will earn the money to you
Key to the success of a group there are a few!
The first point: "unity" must we all know. However, the unity of a group. It is not so easy. Interpersonal relationships, the coordination of college players. . If the suspicion, then a heavy heart. I want to say yes. The development of this group do not stand up!
The second point: "self-confidence," If all members of a group of them have to have confidence, it is self-confidence, increase their own training, I believe that progress will soon own. If a person is not confident that he will accomplish anything, let alone a group.
The third point: "adhere to the" if they turn out, how kind of environment, we must persevere in order to achieve good results, do not fall by the wayside. Can not persist, then sooner or later the dissolution of a group. (Total in the sun after the storm)
The third point: "effort" the success of a group with their own efforts can not be separated from the. A group would like to succeed, not only to a member or the efforts of several players, but team effort, a group two or three players alone * efforts. Does not work. Is not brilliant.
The fourth point: "data" must be a member of a group to find good information on good music available to the Mission, as well as the players learn to improve their understanding of music. At this point, I believe we all agree to it, accept the new knowledge, good words, we will progress, but do not COPY. .
The fifth point: "Competition" If the level of a group made progress, we will certainly be going to games. Competition to get experience and also be able to know the shortcomings of their own with the other groups there are gaps where, because of where it is. Its hard to go back to the next game, I believe it will get better results.
The sixth point: "performance" of a group would like to survive, must be performed, with the funds, we can go to games, to buy equipment, buy materials, buy dance, is not it? Want to tell you yes. The very beginning. Do not want to go to performances that are making money, if a performance is no money. We are also going to jump. Let the audience see their own strength, satisfaction with the boss to see the audience, and later you will find. Will earn the money to you
团员一定要知道的（华语）
一个街舞Crew所要具备的要素一个团体的成功关键主要有几点！ 第一点：“团结”想必大家都知道。但是一个团体的团结。并不是说得那么容易。人际关系，团内队员的协调。。如果猜疑心很重的话。我想说的是。这个团体发展不起来！ 第二点：“自信”一个团体如果各个队员都自己都有信心，很自信，加自己的苦练，相信自己进步会很快。一个人要是没有了自信，他将一事无成，别说是团体了。 第三点：“坚持”如果自己变得怎么样，环境怎么样，大家都要坚持下去，才能取得好的成绩，千万不要半途而废。坚持不了的话，一个团体迟早解散。（阳光总在风雨后） 第三点：“努力”一个团体的成功与否跟自己的努力是离不开的。一个团体想成功，不单单要一个队员或者是几个队员的努力，而是团队一起努力，一个团体单单*两三个队员的努力。是不行的。是不能实现辉煌的。 第四点：“资料”一个团体必须要队员能找到好的资料好的音乐提供给团内的队员学习以及提高自己对音乐的认识。在这一点上，相信大家都同意的吧，接受新的知识，好的话，自己也会在进步，但是千万别COPY。。 第五点：“比赛”一个团体水平如果有了进步，就一定要去比赛。去比赛可以获得经验，以及也可以知道自己的缺点还有跟其他的团体的差距是在哪里，原因是在哪里。自己在回去苦练，到了下次比赛，相信会获得更好的成绩。 第六点：“演出”一个团体想生存，必须要有演出，有了资金，大家才可以去比赛，去买装备，去买资料，去买舞曲，不是吗？想告诉大家的是。一开始。先不要想去说每场演出都有钱赚，如果有一场演出是没有钱的。我们也要去跳。让观众看看自己的实力，老板看见观众满意了，以后自然会找你。自然会有钱给你赚
B Boy的十大守则，嘻嘻，抄来的，但是我觉得很有道理～
B -Boy 十大守则1. Show people respect——（尊重他人） 2. Learn your B-Boy history——（学习bboy的历史） 3. Keep your moves on beat——（保持你的动作合拍） 4. Learn all your foundations——（学习所有的基本功） 5. Don't just do Flaire and Headspins——（不要只做托马斯和头转） 6. Always be ready to battle——（随时准备battle） 7. Always Up Rock before you go Down——（下地之前要做Up Rock） 8. Always hold your freezes for at least 1.5 seconds——（每个freezes要保持1.5秒以上） 9. Do not steal moves unless the inventor gave you permission to use his move ——（不要偷别人地招数除非发明者允许你使用） 10. Always represent B-Boys as a positive role model no matter where you go in this world——（无论你在何地，都要给人们留下bboy是健康向上的印象）
学习街舞的误区
相信从街舞的历史中，我们能看到街舞的风格来源：源于贫民生活以及人们情感最原始的表达方式。如果看过非洲或者南美洲土著民族的记录片，就会觉得他们的舞蹈和街舞的风格和方式颇有相同：踏着鼓点，围着火跳跃
舞蹈作为人类情感最原始、直接的表达，可以讲人人都可以跳。只要能把我们心里的那根弦弹奏起来，我们就可以翩翩起舞。所以，街舞，作为保留原始性最多的舞种，她本身就隐藏在我们的身体里面。见过很多人，一旦街舞入门，舞技就突飞猛进，就是这个原因。尽管如此，为什么好多人觉得街舞好难？ 误区一：害怕出丑，不敢跳； 这个是初学者第一道关。街舞没有什么美丑，只要是发自你内心的东西，是你身体的语言，就没有丑陋的。相信自己，多一点自信。 误区二：只要动作，不要音乐；大忌啊！！练习的时候一定要跟着音乐，不要刻意模仿动作，用80％的精力去听音乐，剩下的20％交给身体，前提是你的身体已经熟悉了音乐的节奏。听音乐，注意身体的感觉，让你的身体记住音乐。 误区三：闭眼瞎练，不看镜子； 自己不知道自己的动作是什么样子，怎么知道如何改进？从不同方位看每个动作，觉得不好看，要想想为什么？怎么改进才好看？一定要有镜子啊！ 误区四：只追求技术，不追求感觉；这个是练到一定阶段之后，就容易犯的错误。为了比较难度的动作，把街舞最核心的感觉和节奏丢失了；breaking的power－move就是一个极端。这个以后在讲。 误区五：混淆disco和hiphop；去disco厅的人多数是跳街舞的，当时，如果习惯了disco的舞蹈，跳起街舞来就不伦不类了。disco里是扭动腰髋，hiphop要求全身都要动。 误区六：一学就会，一放就忘；舞蹈就要狂练。
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